Tenor #1: Neck, Part XI
In the end I decided to take a bit more wood off the neck behind the first several frets. Not a lot, but enough to feel perceptibly more slim.
With that done, I decided to try installing the rest of the frets. The going definitely got easier the more I did, and after the 18th one I almost felt like I knew what I was doing.
There are still a few frets that are not completely flush with the fingerboard. Rather than attack them with a hammer and block of wood again, I think I will build a caul to fit over one of my vice's jaws and press them that way.
With the frets in place, I went ahead and routed the star-shaped slot in the peghead. I'm not sure how, but I managed to cut it noticably crooked. As a result I had to go back and cut a few of the points much larger than I would have liked so that I'll be able to glue the star in straight. Between the black cyanoacrylate I have to glue it in, the black dye I'm using on the peghead, and layer of gloss finish that will ultimately cover the whole thing it shouldn't be too noticable.
With that done, I decided to try installing the rest of the frets. The going definitely got easier the more I did, and after the 18th one I almost felt like I knew what I was doing.
There are still a few frets that are not completely flush with the fingerboard. Rather than attack them with a hammer and block of wood again, I think I will build a caul to fit over one of my vice's jaws and press them that way.
With the frets in place, I went ahead and routed the star-shaped slot in the peghead. I'm not sure how, but I managed to cut it noticably crooked. As a result I had to go back and cut a few of the points much larger than I would have liked so that I'll be able to glue the star in straight. Between the black cyanoacrylate I have to glue it in, the black dye I'm using on the peghead, and layer of gloss finish that will ultimately cover the whole thing it shouldn't be too noticable.
0 Comments:
Post a Comment
<< Home