Tenor #1: Neck, Part VI
After gluing the inlay in place and patching the space with a mix of glue and rosewood dust, it was time to sand everything flush.
I started with 100 grit paper to get the worst of the excess glue off of the surface, then went to 150, 220, and finally down to steel wool.
It came out great, and I can't wait to do more on future instruments.
I started with 100 grit paper to get the worst of the excess glue off of the surface, then went to 150, 220, and finally down to steel wool.
It came out great, and I can't wait to do more on future instruments.
posted by A.N. Chase | 7:05 PM
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